One night at Freemont Casino

Original Acrylic Painting on canvas
102 x 76 cm
2019

"When the detectives R. Deckard, François Toulour, 007 and Léon the professional are called to investigate the robbery of the Freemont Casino in Las Vegas, they found the suspects at a sex party in the 25th floor mingling with Jeff Lynne, Liam Gallagher, Toshiro Mifune, Fred Mercury & the Ladies of the Diamond Strip Show...but when they arrive at the scene Baron Frank Buckman escapes though the window with a golden enigmatic talisman."
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PAINTING LITERARY NOTES by the spirit of SIR IAN FLEMING:

“One had to admire the sheer, audacious confidence of the thing. It presented itself as a dossier of breathtaking ambition, a vibrant declaration from a formidable new player on the world stage. At its heart was a gallery of specialists, their faces radiating the cold, hard certainty of men at the very top of thdeadly professions. They had even placed a portrait of a 00-agent at the centre of their pantheon, a gesture of supreme self-assurance, a direct challenge to the establishment. Their chosen heraldry was a striking combination of the lethally primitive—a magnificent barracuda—and the clinically modern, a high-velocity rifle. This was clearly not the work of common criminals, but of an organization with a keen sense of its own power and a considerable flair for the dramatic.

The entire tableau vibrated with a palpable energy, awash in the brilliant, unapologetic colours of high-stakes gambling and international intrigue. Their headquarters, a fortress of daring modernity, served as the nerve centre for an enterprise that was unashamedly global in its reach. The note regarding a diamond transaction in Naples was not a sordid detail, but an invitation—the opening gambit in what promised to be a most stimulating contest. This was a tantalizing glimpse into a world of immense risk and equally immense reward, a thrillingly complex game laid out on the grand European stage. One felt a certain quickening of the pulse; a game of this calibre was, after all, precisely what one lived for.” IAN FLEMING
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